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Description
car seat without base britax Britax UpNGo Backless Booster Car Seat – Baby GrandThe UpNGo backless seat booster gives your child the boost they need to move up into the final car seat stage and go anywhere with confidence. Designed for children from 40 120 lbs and 46 63", this booster combines the portability and convenience that parents look for with kid approved comfort and style. UpNGo is innovatively designed with PosturePlus to help encourage proper posture and seat belt positioning. It also includes a shoulder belt guide to
The UpNGo™ backless seat booster gives your child the boost they need to move up into the final car seat stage and go anywhere with confidence. Designed for children from 40-120 lbs and 46”-63", this booster combines the portability and convenience that parents look for with kid-approved comfort and style. UpNGo is innovatively designed with PosturePlus™ to help encourage proper posture and seat belt positioning. It also includes a shoulder belt guide to help keep the seat belt in the right place. The slim 17.1” SpaceSaver™ design means there’s more room for siblings or carpoolers, and the soft cushioning and large, padded armrests give your child that extra boost of comfort. Whether they're heading out for a shopping trip with grandma or hopping in with a friend on their way to a sleepover, they’ll feel confident navigating big-kid trips with this lightweight and easy-to-carry booster. They can keep their favorite after-school snacks and drinks close at hand in the two cup holders, which are dishwasher-safe for easy cleanup. The booster seat cover is safe to machine wash and dry, and it’s naturally flame-retardant with no added FR chemicals. The color-coded belt guides help kids learn how to buckle up correctly as they make the final car seat transition, setting them up for safety no matter where their journey takes them.
- Boost, Buckle, Go: Belt-positioning booster lifts your child up to use the vehicle seat belt.
- Extended Maximum Capacity: Designed for children from 40-120 lbs and 46”-63".
- PosturePlus™ Contoured Seat: Helps encourage proper posture and seat belt positioning.
- SpaceSaver™ Design: 17.1” seat leaves plenty of room for siblings & carpoolers! This slim booster seat is designed to fit 3 across in most vehicles without compromising safety or comfort. *Britax cannot guarantee 3-across fitment in all vehicles.
- Lightweight & Portable: Thanks to the built-in carry handle and lightweight design, you can take this booster anywhere. Weighing under 4 lbs, it’s easy for both caregivers and kids to carry.
- Removable SafeWash® Cover: Safe to machine wash and dry.
- Naturally Flame-Retardant Fabrics: No added FR chemicals.
- Designed for Comfort: Kids can enjoy every ride thanks to the contoured seat with breathable foam and soft padding. Plus, the large, padded armrests provide that extra boost of comfort.
- 2 Dishwasher-Safe Cup Holders: Keep drinks and snacks within reach; easy to remove for cleaning between rides.
- Padded Carry Handle Cover: Helps ensure a comfortable grip.
- Color-Coded Belt Guides: Help kids learn how to buckle up safely.
- Shoulder Belt Guide: Helps keep the shoulder belt in the correct position, encouraging proper fitment as your big kid continues to grow.
- Soft & Smooth Knit Fabric: For comfort and a sleek appearance.
Specifications
- Dimensions: 9"H x 15.5"D x 17.1"W
- Product weight: 3.1 lbs.
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4.3 ★★★★★
Based on 929 reviews
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Product Reviews
★★★★★ 1
A Total Sham-dy
What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me!
I checked the ratings on Goodreads. This is what it showed:
5 stars: 33%, 4901
4 stars: 28%, 4064
3 stars: 22%, 3268
2 stars: 9%, 1414
1 star: 5%, 848
Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
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Reviewed in the United States on September 19, 2016
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
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Reviewed in the United States on February 21, 2025
★★★★★ 5
A Few Thoughts on Tristram Shandy by Laurence Sterne
Shandy is an amazing book. More than anything it made me think of a late 1990s vibe with Seinfeld and David Foster Wallace. I can imagine the discourse that must have grown up around it. It I about memory and storytelling but also about nothing but also childbirth and siege warfare. I’m glad I read it; it was worth it even if it took a while.
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Reviewed in the United States on May 14, 2023
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding.
Serious. Hilarious.
Wise. Faux-wise.
Scholarly. Mock-scholarly.
Observant. Absurdly, obsessively observant.
Sharp characterizations. Ridiculous characters.
Devout. Bawdy.
Endearing. Frustrating.
Genius. Barking mad.
Narratively incoherent. Stream-of-consciousness associative.
Consistently provincial. Profoundly universal.
Mired in the 18th century. Harbinger of 20th century literary Modernism.
Baffling. Brilliant
Not for every taste. For my taste.
And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more.
And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters.
I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story.
Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict.
It's not trying to teach anything, really.
So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count.
I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up:
"No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations."
It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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